African American Studies
Customs, Traditions, and Everyday Life
Emigration and Immigration
Native American Studies
Poverty and Homelessness
Prostitution and Sex Trade
Race and Ethnicity
Slavery and Slave Trade
Social Science Essays
Social Science, Methodology
Sociology of Religion
Violence in Society
Subjects on Display explores a recurrent figure at the heart of many nineteenth-century English novels: the retiring, self-effacing woman who is conspicuous for her inconspicuousness. Beth Newman draws upon both psychoanalytic theory and recent work in social history as she argues that this paradoxical figure, who often triumphs over more dazzling, eye-catching rivals, is a response to the forces that made personal display a vexed issue for Victorian women.
A groundbreaking approach to studying not only cultural linguistics but also the cultural heritage of a historic time and place in America. It gives witness to the issues of race and class inherent in the way we write, speak, and think.
In the first half of the nineteenth century, England became quite literally a world on wheels. The sweeping technological changes wrought by the railways, steam-powered factory engines, and progressively more sophisticated wheeled conveyances of all types produced a corresponding revolution in Victorian iconography: the image of the wheel emerged as a dominant trope for power, modernity, and progress.In
Contemporaries were shocked when author Mary Noailles Murfree revealed she was a woman, but modern readers may be more surprised by her cogent discussion of community responses to unwanted development. Effie Waller Smith, an African American woman writing of her love for the Appalachian mountains, wove discussions of women’s rights, racial tension, and cultural difference into her Appalachian poetry.
Gabriela Mistral is the only Latin American woman writer to be awarded the Nobel Prize in Literature. Even so, her extraordinary achievements in poetry, narrative, and political essays remain largely untold. Gabriela Mistral: The Audacious Traveler explores boldly and thoughtfully the complex legacy of Mistral and the way in which her work continues to define Latin America.Edited
The subject of renewed interest among literary and cultural scholars, Vernon Lee wrote more than forty books, in a broad range of genres, including fiction, history, aesthetics, and travel literature. Early on, Lee established her reputation as a public critic whose unconventional viewpoints stood out among those of her contemporaries.To
In the last decade, the South African state has been transformed dramatically, but the stubborn, menacing geography of apartheid still stands in the way of that country’s visions of change. Environmentally degraded old homelands still scar the rural geography of South Africa.Formerly segregated, now gated, neighborhoods still inhibit free movement. Hostels, Sexuality, and the Apartheid Legacy is a study of another such space, the converted “male” migrant worker hostel.Professor
A century after the South African War (1899-1902), historians are beginning to reevaluate the accepted wisdom regarding the scope of the war, its participants, and its impact. Writing a Wider War charts some of the changing historical constructions of the memorialization of suffering during the war.Writing a Wider War presents a dramatically new interpretation of the role of Boer women in the conflict and profoundly changes how we look at the making of Afrikaner nationalism.
One of the most intriguing cultural artifacts of our nation’s past was made by young girls—the embroidery sampler. In Ohio Is My Dwelling Place, American decorative arts expert Sue Studebaker documents the samplers created in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch.In
The first decades of the twentieth century were years of dramatic change in Zanzibar, a time when the social, economic, and political lives of island residents were in incredible flux, framed by the abolition of slavery, the introduction of colonialism, and a tide of urban migration.
Tucked away in the Appalachian Mountains of West Virginia, preserved for generations, handmade bed quilts are windows into the past. In 1983, three West Virginia county extension agents discussed the need to locate and document their state’s historic quilts. Mary Nell Godbey, Margaret Meador, and Mary Lou Schmidt joined with other concerned women to found the West Virginia Heritage Quilt Search.The
The role of the telegraph operator in the mid-nineteenth century was like that of today’s software programmer/analyst, according to independent scholar Tom Jepsen, who notes that in the “cyberspace” of long ago, male operators were often surprised to learn that the “first-class man” on the other end of the wire was a woman.Like the computer, the telegraph caused a technological revolution.
The award-winning Stolen Life is a remarkable collaborative work between a distinguished novelist and a Cree woman who broke a lifetime of silence to share her story. Imprisoned for murder at the age of twenty-seven, Yvonne Johnson sought out Rudy Wiebe, the chronicler of her ancestor Big Bear, as a means of coming to terms with her self, her past, and the crime that defines her future.
Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”James
If Horatio Alger had imagined a female heroine in the same mold as one of the young male heroes in his rags-to-riches stories, she would have looked like Belinda Mulrooney. Smart, ambitious, competitive, and courageous, Belinda Mulrooney was destined through her legendary pioneering in the wilds of the Yukon basin to found towns and many businesses. She built two fortunes, supported her family, was an ally to other working women, and triumphed in what was considered a man’s world.In
This book explores the history of African womanhood in colonial Kenya. By focussing on key sociocultural institutions and practices around which the lives of women were organized, and on the protracted debates that surrounded these institutions and practices during the colonial period, it investigates the nature of indigenous, mission, and colonial control of African women.The
Contemporary French writing on the Maghreb—that part of Africa above the Sahara—is truly postmodern in scope, the rich product of multifaceted histories promoting the blending of two worlds, two identities, two cultures, and two languages.Nomadic Voices of Exile demonstrates how that postmodern sentiment has altered perceptions concerning Maghrebian feminine identity since the end of the French-colonial era.
Both film noir and the Weimar street film hold a continuing fascination for film spectators and film theorists alike. The female characters, especially the alluring femmes fatales, remain a focus for critical and popular attention. In the tradition of such attention, Dangerous Dames focuses on the femme fatale and her antithesis, the femme attrapée.Unlike
The story of “Shakespeare’s sister” that Virginia Woolf tells in A Room of One’s Own has sparked interest in the question of the place of the woman writer in the Renaissance. By now, the process of recovering lost voices of early modern women is well under way. But Woolf’s engagement with the Renaissance went deeper than that question indicates, as important as it was.
John Ruskin’s prominence as the author of “Of Queen’s Gardens,” his principal statement of Victorian gender opposition, makes him an ideal example for analyzing the power of mythic discourse to undermine gender division. Here, Ruskin creates a vision of feminine authority that draws simultaneously upon several sources (including the goddess Athena and Queen Victoria herself) to empower women in a worldwide arena redefined as a broader version of their domestic realm.
The Bolshevik seizure of power in 1917 and the ensuing communist regime have often been portrayed as a man’s revolution, with women as bystanders or even victims. Midwives of the Revolution examines the powerful contribution made by women to the overthrow of tsarism in 1917 and their importance in the formative years of communism in Russia.Focusing
Based extensively on their writings and letters to each other, this chronicle of Elizabeth Barrett’s and Robert Browning’s life together stands in bold relief against the backdrop of their Victorian world. Their passionate partnership overcame any number of obstacles — Elizabeth’s role in her father’s family; her illness; her Creole background; Robert’s tentative career — to culminate in a marriage of mutual devotion.
In the winter of 1951-52, Anaïs Nin was a writer in despair. More than a dozen publishing houses had rejected her new novel, A Spy in the House of Love, and Nin became desperate for literary acceptance. Encouragement came from an unexpected source. Felix Pollak, an Austrian emigré and Rare Book Librarian at Northwestern University, had been entrusted with the task of acquiring some of Nin’s manuscripts for the library.
In this fascinating piece of scholarly detective work, biblical scholar Savina J. Teubal peels away millenia of patriarchal distortion to reveal the lost tradition of biblical matriarchs. In Ancient Sisterhood: The Lost Traditions of Hagar and Sarah (originally published as Hagar the Egyptian), she shows that Hagar, the mother of Ishmael, was actually lady-in-waiting to the priestess Sarah and participated in an ancient Near Eastern custom of surrogate motherhood.Ancient
When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.
On the night of Saturday, July 13, 1991, a mob of male students at the St. Kizito Mixed Secondary School in Meru, Kenya, attacked their female classmates in a dormitory. Nineteen schoolgirls were killed in the melee and more than 70 were raped or gang raped.The explanations in the press for the attack included a rebellion by male students over administrative mismanagement, academic stress, cultural norms for the Meru ethnic group, and victim characteristics (as assumed in rape myths).
Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.Readers
America’s Collectible Cookbooks is a wonderful concoction of gossipy morsels and serious reflection about cookbooks and cookbook authors. Although the names Fannie Merritt Farmer, Eliza Leslie, Sarah Josepha Hale, and Irma Rombauer are familiar to generations of American books, few know how really extraordinary these women were.
In the words of its editor, “This book is not intended to provide an assessment of Virginia Woolf’s work. A great deal has already been written about her novels and critical essays. It is concerned essentially with Virginia Woolf herself: about whom little has been said in print. It has been written by people who knew her either intimately as relations and friends, or who met her from time to time over a period of years and were acquaintances.
These essays examine the multifaceted work of the Central American author whom Latin American literary historians consider precursor of “cultural dialogism” in poetry and fiction. As poet, essayist, journalist, novelist, and writer of “quasi–testimonio,” Alegría’s multiple discourses transgress the boundaries between traditional and postmodern political theories and practices.
In the popular mind, the word “Victorian” still evokes associations of repression, hypocrisy, and prudery. We persist in thinking that the Victorians were perpetually shocked by everything from minor breaches of domestic decorum to ministry-toppling causes célèbres.
Born into a Victorian Danish family, Karen Christentze Dinesen married her second cousin, a high-spirited and philandering baron, and moved to Kenya where she ran a coffee plantation, painted, and wrote. She later returned to Denmark, lived through the German occupation during World War II, and became a pivotal figure in Heretica, a major literary movement that flourished in Denmark after the war. By the time of her death, Dinesen was an international figure.
“I here and there o’heard a Coxcomb cry, Ah, rot—’tis a Woman’s Comedy.”Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.For each woman who chose a career in the theater world of the eighteenth century, there is a unique tale of struggle, insult, success, good or bad fortune, disaster, seduction, or fame.
Klondike Women is a compelling collection of historical photographs and first-hand accounts of the adventures, challenges, and disappointments of women on the trails to the Klondike gold fields. In the midst of a depression near the turn of the twentieth century, these women dared to act on the American dream.
When Count Guido Franceschini was tried by a Roman court in 1698 for the rape and murder of his young wife Pompilia, he had the church, the state, and “all of sensible Rome” supporting him. Their cynical mandate sprang from the traditional belief that in a patriarchal society the male should wield absolute power, including the power of life and death, over the female.
Traditional literary theory holds that women writers of the Restoration and eighteenth century produced works of limited range and value: simple tales of domestic conflict, seduction, and romance. Bringing a broad range of methodologies (historical, textual, post-structuralist, psychological) to bear on the works of Eliza Haywood, Charlotte Smith, Sarah Fielding, Fanny Burney, Jane Austen, and others. Fetter’d or Free?
The only source in which Sarah is mentioned is the Book of Genesis, which contains very few highly selective and rather enigmatic stories dealing with her. On the surface, these stories tell us very little about Sarah, and what they do tell is complicated and confused by the probability that it represents residue surviving from two different written sources based on two independent oral traditions.
An invaluable key to self-understanding, The Wounded Woman shows that by understanding the father-daughter wound, it is possible to achieve a fruitful, caring relationship between men and women, between fathers and daughters, a relationship that honors both the mutuality and the uniqueness of the sexes.
In this book Anaïs Nin speaks with warmth and urgency on those themes which have always been closest to her: relationships, creativity, the struggle for wholeness, the unveiling of woman, the artist as magician, women reconstructing the world, moving from the dream outward, and experiencing our lives to the fullest possible extent.