Book and Periodical Studies
Comics and Graphic Novel Culture
Literary Critcism, Australia
Literary Criticism | Modern | 19th Century
Literary Criticism, Africa
Literary Criticism, African American
Literary Criticism, Asia
Literary Criticism, Caribbean
Literary Criticism, Eastern Europe
Literary Criticism, Feminist
Literary Criticism, France
Literary Criticism, Germany
Literary Criticism, Latin America
Literary Criticism, Religion
Literary Criticism, Short Stories
Literary Criticism, Theater
Literary Criticism, UK
Literary Criticism, US
Literary Criticism, Women
Literary Criticism, Women Authors
Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and recreates the historical webs of affiliation and resistance that writers in colonial India—writers of British, Indian, and mixed ethnicities—experienced.
With its compact but inclusive survey of more than four centuries of poetry, Blank Verse is filled with practical advice for poets of our own day who may wish to attempt the form or enhance their mastery of it. Enriched with numerous examples, Shaw’s discussions of verse technique are lively and accessible, inviting to all.
Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism.
Perfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun’s in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms.
The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century. This volume introduces the work of this significant American poet to readers previously unfamiliar with it and enriches the reading of those who have long admired it.
At a time when poets appear tragically detached from the public for which they write, Kevin Stein persuasively demonstrates in Private Poets, Worldy Acts the way a particular group of diverse poets have manifested their communal concerns. As Choice wrote, “Stein’s graceful text is a primer on the relationship of the (American) poetic to the political.”Looking
This reference volume is a supplement to Alexander’s earlier work covering the years 1928–1978. Its purpose is to provide access to articles, parts of articles, and parts of books of criticism on British and American poets. No other index or bibliography reaches this level of comprehensiveness. The focus is on journals and books that are widely held by academic libraries. Arrangement is alphabetical by poet’s name and then by the title of the poem.
Lucien Stryk has been a presence in American letters for almost fifty years. Those who know his poetry well will find this collection particularly gratifying. Like journeying again to places visited long ago, Stryk’s writing is both familiar and wonderfully fresh.For those just becoming acquainted with Stryk’s work, Zen, Poetry, the Art of Lucien Stryk makes an excellent introduction.
Critical essays provide sources for stimulating new thoughts and perspectives on poetry. Finding such essays on specific poems can be a frustrating experience for the scholar or the student. American and British Poetry: A Guide to the Criticism, 1925–1978 guides the researcher quickly to relevant sources of critical writing.Harriet