Our Lady of Victorian Feminism is about three nineteenth-century women (Jameson, Margaret Fuller, and George Eliot), Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women.
This is a study of the ‘unofficial’ side of African fiction—the largely undocumented writing, publishing, and reading of pamphlets and paperbacks—which exists outside the grid of mass production. Stephanie Newell examines the popular fiction of Ghana produced since the 1930s, analyzing the distinctive ways in which narrative forms are borrowed and regenerated by authors and readers.
Poet, teacher, and critic, Yvor Winters was a man of letters in more ways than one. This selection of his personal correspondence spans half a century of literary history and a lifetime of intellectual development and growth. As a record of a serious artist and thinker's grappling with important issues and, sometimes, with his notable friends, the letters offer new and often unexpected insight into the creative mind at work.
Over the course of his life, Frank Waters amassed a body of work that has few equals in the literature of the American West. Because his was a writing that touched every facet of the Western experience, his voice still echoes throughout that region's literary world. Swallow Press is especially proud to present this generous sampling of Frank Waters's writings. A Frank Waters Reader encompasses the full range of his work and draws from both his nonfiction and his many novels.
Ghanaian novelist, essayist, and short-story writer Ayi Kwei Armah has won international recognition as one of Africa’s most articulate writers. In this book, Ode Ogede argues that previous critics have misinterpreted the aesthetic and literary influences that have shaped Armah’s artistic vision and overlooked his most significant and valuable contribution to the problems of writing “outside the prison-house of conventional English.”
The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet's travels and experiences in Africa, the Caribbean, England, and the American South.
In 1927, at the peak of his career, Zane Grey bought a three-masted schooner, which he sailed to the Galapagos Islands, later journeying to Tahiti, New Zealand, Australia, and Fiji. As colorful as his characters were, so too was their creator. A consummate explorer, Zane Grey toured the world, was an acclaimed expert on salt- and freshwater fishing, and incorporated the sights and sounds he witnessed into his writings.
Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”
Rudy Wiebe's The Temptations of Big Bear is an epic of the Canadian West. As the buffalo-based food supply vanishes, Big Bear leads his Plains Cree nation across the prairie in search of a means of retaining the way of life quickly being lost—a life his people have lived for thousands of years.
One of the most recurrent and controversial subjects of nineteenth–century discourse was work. Many thinkers associated work with honest pursuit of doing good, not the curse accompanying exile from Eden but rather “a great gift of God.” Sincerely undertaken work comprised a mission entailing a commitment to serve others and promote a better future for all.
After a century of critical neglect, poet and writer Amy Levy is gaining recognition as a literary figure of stature. This definitive biography accompanied by her letters, along with the recent publication of her selected writings, provides a critical appreciation of Levy's importance in her own time and in ours.
Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors.
Fifteen years in the making, Set the Ploughshare Deep is a memoir in prose, verse, and woodcuts. It depicts the consequences of Warren's advice for a writer who turned his back on cities and the academic world, who bought and sold, farmed and failed like his forebears, all the while distilling what he saw, heard, or felt into his tall tales and short verses. Timothy Murphy has harvested pheasants and ducks as well as wheat and apples.
Throughout the first half of the nineteenth century, America was captivated by a muddled notion of “etymology.” New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay. Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened “romantic irony.”