Dolly Parton’s Mountain Dream
By Graham Hoppe
Country music superstar Dolly Parton’s Dollywood is a 150-acre fantasyland that hosts three million people a year. What does it tell us about the modern South, and in turn what does that tell us about America as a whole? Hoppe blends tourism, public history, and personal reflection into an unforgettable interrogation of Southern American identity.
Stories from the Anne Grimes Collection of American Folk Music
By Anne Grimes
Stories from the Anne Grimes Collection of American Folk Music is a treasury of American traditional music and Ohio’s folklife heritage.Traveling along the highways and byways of Ohio in the 1950s as a folksinger and collector of traditional music, Anne Grimes encountered people from many different backgrounds who opened up their homes to her to share their most precious family heirlooms—their songs.
A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times
By Marissa J. Moorman
Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics.
Words on Music
From Addison to Barzun
Edited by Jack Sullivan
For centuries, distinguished writers have taken on the challenge of describing great music and its significance in their lives. From Joseph Addison to Virgil Thomson, writers in and out of the music field have used their most vivid language to conjure the sounds and emotions of the music that mattered most to them. Yet until this book, no single volume has ever collected the best of this writing in one place.
Ontology of the Work of Art
The Musical Work, The Picture, The Architectural Work, The Film
By Roman Ingarden
· Translation by Raymond Meyer and John T. Goldthwait
In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its “constitutive heterogeneous strata,” Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure.
An Introduction to Richard Wagner’s Der Ring des Nibelungen
By William O. Cord
Today, more than a century after its first performance, Richard Wagner’s The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera.Previous studies of the Ring have appealed only to those already acquainted in some way with the Wagnerian art.