Indigenous knowledge has become a catchphrase in global struggles for environmental justice. Yet indigenous knowledges are often viewed, incorrectly, as pure and primordial cultural artifacts. This collection draws from African and North American cases to argue that the forms of knowledge identified as “indigenous” resulted from strategies to control environmental resources during and after colonial encounters.
America’s Romance with the English Garden is the story of the beginnings of the modern garden industry, which seduced the masses with its images and fixed the English garden in the mind of the American consumer; the story of tastemakers and homemakers, of savvy businessmen and a growing American middle class eager to buy their products.
In more than 150 recipes that highlight seasonal flavors, Marilou K. Suszko inspires cooks to keep local flavors in the kitchen year round. From asparagus in the spring to pumpkins in the fall, Suszko helps readers learn what to look for when buying seasonal homegrown or locally grown foods as well as how to store fresh foods, and which cooking methods bring out fresh flavors and colors.
In Western scholarship, Africa’s so-called sacred forests are often treated as the remains of primeval forests, ethnographic curiosities, or cultural relics from a static precolonial past. African Sacred Groves challenges dominant views of these landscape features by redefining the subject matter beyond the compelling yet uninformative term “sacred.”
In this groundbreaking study, Jacob A. Tropp explores the interconnections between negotiations over the environment and an emerging colonial relationship in a particular South African context—the Transkei—subsequently the largest of the notorious “homelands” under apartheid. In the late nineteenth century, South Africa’s Cape Colony completed its incorporation of the area beyond the Kei River, known as the Transkei, and began transforming the region into a labor reserve.
The midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical, based on historical and scientific knowledge as well as personal experience. It is exemplified in the poetry, fiction, and essays of writers who express an informed love of the nature and regional landscapes of the Midwest.
“In following Robert Pond through the pages of Follow the Blue Blazes, I find myself at turns in the company of a sharp scout, a kindly neighbor, an inspirational teacher, and—if I may say so—a kindred spirit to the likes of Thoreau and Robert Louis Stevenson.” —Steven M. Newman
The Cleveland area is rightly famed for its Emerald Necklace, an almost continuous corridor of parklands, largely assembled during the first half of the twentieth century, that encircles the central city. Less appreciated is the recent revitalization of the parks-building movement that has taken place in northeastern Ohio.
A deeper understanding of contemporary environmental problems requires us to know where we come from, and the study of environmental history will help us in that quest. Environmental history, in short, may be described as an attempt to study the interaction between humans and nature in the past. How have human societies affected their environment and vice versa? What does history tell us about ecological change?
Known alternately as the puma, mountain lion, or panther, the cougar covers a territory on this continent almost as far-ranging as humans. Previous literature has implied, in a carefully crafted but thinly veiled manner, that the cougar presents little threat to human life and that a person should more fear the possibility of being struck by “a piano falling from the sky.”
Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what's been written on the subject.
Virtually unknown outside the region and, indeed, little known even by area residents, the western Lake Erie marshes are among the most mysterious, beautiful, and vulnerable of all the wild lands remaining in Ohio.
A must for flower and art lovers, Born in the Spring is a unique collection of line drawings and magnificent watercolors of spring wildflowers with over 90 illustrations, 46 in full color. The text accompanying each plate enables the reader to easily locate the flower in its natural setting.