In this finely textured social and intellectual history of gender and nation-making, Byfield captures the dynamism of women’s political activism in postwar Nigeria. She illuminates the centrality of gender to the study of nationalism, thus offering new lines of inquiry into the late colonial era and its consequences for the future Nigerian state.
Going beyond the headlines, including the group’s 2014 abduction of 276 girls in Chibok and the ensuing international outrage, Boko Haram provides readers new to the conflict with a clearly written and comprehensive history of how the group came to be, the Nigerian government’s failed efforts to end it, and its impact on ordinary citizens.
A penetrating, accessible portrait of the activist whose execution galvanized the world. Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and for human rights activists, as well as a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation.
Schler’s study of Nigerian seamen during Nigeria’s transition to independence provides a fresh perspective on the meaning of decolonization for ordinary Africans. She traces the workers’ shift from optimism to disillusionment, providing a working-class perspective on nation building in Nigeria and illustrating the hopes for independence and subsequent disappointments.
Who Shall Enter Paradise? recounts in detail the history of Christian-Muslim engagement in a core area of sub-Saharan Africa’s most populous nation, home to roughly equal numbers of Christians and Muslims. It is a region today beset by religious violence, in the course of which history has often been told in overly simplified or highly partisan terms.
In Making Modern Girls, Abosede A. George examines the influence of African social reformers and the developmentalist colonial state on the practice and ideology of girlhood as well as its intersection with child labor in Lagos, Nigeria. It draws from gender studies, generational studies, labor history, and urban history to shed new light on the complex workings of African cities from the turn of the twentieth century through the nationalist era of the 1950s.
Black Skin, White Coats is a history of psychiatry in Nigeria from the 1950s to the 1980s. Working in the contexts of decolonization and anticolonial nationalism, Nigerian psychiatrists sought to replace racist colonial psychiatric theories about the psychological inferiority of Africans with a universal and egalitarian model focusing on broad psychological similarities across cultural and racial boundaries. Particular emphasis is placed on Dr.
Historians of colonial Africa have largely regarded the decade of the Great Depression as a period of intense exploitation and colonial inactivity. In Colonial Meltdown, Moses E. Ochonu challenges this conventional interpretation by mapping the responses of Northern Nigeria’s chiefs, farmers, laborers, artisans, women, traders, and embryonic elites to the British colonial mismanagement of the Great Depression.
In The Forger’s Tale Stephanie Newell draws on queer theory, African gender debates, and “new imperial history” to chart the story of the English novelist and poet John Moray Stuart-Young (1881–1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society.
Even with a university education, the Igbo women of southeastern Nigeria face obstacles that prevent them from reaching their professional and personal potentials. Negotiating Power and Privilege is a study of their life choices and the embedded patriarchy and other obstacles in postcolonial Africa barring them from fulfillment.Philomina E. Okeke recorded life-history interviews and discussions during the 1990s with educated women of differing ages and professions.
In her startling collection of short stories, Broken Lives and Other Stories, Anthonia C. Kalu creates a series of memorable characters who struggle to hold displaced but dynamic communities together in a country that is at war with itself.Broken Lives and Other Stories presents a portrait of the ordinary women, children, and men whose lives have been battered by war in their homeland.
Nigerian video films—dramatic features shot on video and sold as cassettes—are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art.
In the case of Nigeria, scholarship on religious politics has not adequately taken into account the pluralistic context and the idealistic pretensions of the state that inhibit the possibility of forging an enduring civic amity among Nigeria’s diverse groups. Ilesanmi proposes a new philosophy or model of religio-political interaction, which he calls dialogic politics.
Drawing upon a survey of former police officers in the six British colonies of Ghana, Nigeria, Kenya, Uganda, Zambia, and Malawi, Clayton and Killingray examine the work of colonial law enforcement during the last years of British supremacy. In addition to such basic institutional information as the development of police forces from local militia, the training of African recruits, and the africanization of the police forces, the authors examine the typical activities of the colonial police.