A groundbreaking approach to studying not only cultural linguistics but also the cultural heritage of a historic time and place in America. It gives witness to the issues of race and class inherent in the way we write, speak, and think.
Gender Studies · African American Studies · Americas · North America · United States · Appalachia · History · Ohio and Regional · Memoir · Biography · Creative Nonfiction · Literary Studies · American History · Appalachian Studies
Americans have long recognized the central importance of the nineteenth-century Republican party in preserving the Union, ending slavery, and opening the way for industrial capitalism.
Contemporaries were shocked when author Mary Noailles Murfree revealed she was a woman, but modern readers may be more surprised by her cogent discussion of community responses to unwanted development. Effie Waller Smith, an African American woman writing of her love for the Appalachian mountains, wove discussions of women's rights, racial tension, and cultural difference into her Appalachian poetry.
Developed by the Ohio Bicentennial Commission's Advisory Council on Women, this collection profiles a few of the many women who have left their imprint on the state, nation, world, and even outer space.
Gender Studies · 21st century · 20th century · 19th century · Americas · North America · United States · Midwest · Ohio · Women’s Studies · Ohio and Regional · American History · History · Women’s History
What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about that past? After the first blizzard of an early winter, a Mennonite college girl with a troubled past appears curled up and bloodied outside the offce of her childhood psychiatrist. Mute for many years as a child, Martha Lehman is again not talking.
On May 10, 2003, the Cincinnati Art Museum will celebrate the opening of the Cincinnati Wing: eighteen thousand square feet of handsomely renovated gallery space devoted to the museum’s renowned collections of painting, sculpture, furniture, ceramics, and metalwork by Cincinnati artists. The museum is the first in the country to reinterpret its American art collections with a regional emphasis, fostering civic pride and drawing attention to the achievements of the city’s artists.
“In following Robert Pond through the pages of Follow the Blue Blazes, I find myself at turns in the company of a sharp scout, a kindly neighbor, an inspirational teacher, and—if I may say so—a kindred spirit to the likes of Thoreau and Robert Louis Stevenson.” —Steven M. Newman
Few American states can match the rich and diverse transportation heritage of Ohio. Every major form of public conveyance eventually served the Buckeye state. From the “Canal Age” to the “Interurban Era,” Ohio emerged as a national leader. The state's central location, abundant natural resources, impressive wealth, shrewd business leadership, and episodes of good fortune explain the dynamic nature of its transport past.
One of the most intriguing cultural artifacts of our nation's past was made by young girls—the embroidery sampler. In Ohio Is My Dwelling Place, American decorative arts expert Sue Studebaker documents the samplers created in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch.
The Old Northwest—the region now known as the Midwest—has been largely overlooked in American cultural history, represented as a place smoothly assimilated into the expanding, manifestly-destined nation. An American Colony: Regionalism and the Roots of Midwestern Culture studies the primary texts and principal conflicts of the settlement of the Old Northwest to reveal that its entry into the nation's culture was not without problems.
Lenore McComas Coberly has woven together a bittersweet community of strong Appalachian women and men in this remarkable collection. Moving and joyful, these stories are made from the stuff of life.
The death of her father begins Dorothy Weil’s search for what causes the family’s “spinning of in all directions like the pieces of Chaos.” She embarks on a river odyssey, traveling the Ohio, Missouri, and Mississippi Rivers by steamboat, towboat, and even an old-fashioned flatboat. The river brings her family back, as she records the stories of her fellow “river rats”: steamboat veterans, deckhands, captains, and cooks.
More than seventy-five works in six genres. Featured are the previously unpublished play Herrick and two one-act plays, largely ignored for a century, that demonstrate Dunbar’s subversion of the minstrel tradition.