In this powerful debut, Capista traverses earth and ether to yield poems that elucidate the space between one’s life and one’s livelihood. While its landscapes range from back-alley Baltimore to the Bitterroot Valley, this book remains close to unbidden beauty and its capacity to sway one’s vision of the world.
Way of All the Earth contains selected poems written by Anna Akhmatova, one of Russia’s greatest poets whose works embody the complexities of her era. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.
With this edition of Requiem and Poem without a Hero, Swallow Press presents two of Anna Akhmatova's best-known works, ones that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin's regime. Akhmatova began the three-decade process of writing Requiem in 1935 after the arrests of her son, Lev Gumilev, and her third husband.
In Doubtful Harbor, Idris Anderson turns wandering into art. From large landscapes to the minutest details, she seeks with each poem to convey the world more clearly, acutely, and exquisitely. As she meditates on indelible moments with intimate others, friends, and strangers, she teases from these encounters their elusive connections and disconnections.
Anna Akhmatova (1889–1966) was part of that magnificent and tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. You Will Hear Thunder brings together for the first time all D.M. Thomas’s translations of her poems.
Penumbra—Michael Shewmaker’s debut collection—explores the half-shadows of a world torn between faith and doubt. From intricate descriptions of the rooms in a dollhouse, to the stark depiction of a chapel made of bones, from pre-elegies for a ghostly father, to his compelling treatment of his obsessed, human characters (a pastor, a tattoo artist, a sleepwalker, to name only a few), these are poems that wrestle with what it means to believe in something beyond one’s own mortality.
The poems of Compass and Clock take their inspiration from the intersection of the natural world and the human, exploring the landscapes in which those intersections occur. Those landscapes range from David Sanders’s native midwestern countryside to the caves of Lascaux and an enchanted lake where relics of lost lives are washed ashore.
In Animal Purpose, Michelle Y. Burke explores the lives of men and women as they stand poised between the desire to love and the compulsion to harm. She scours the hard edges of the world to find “fleeting softness,” which she wishes “into the world like pollen that covers everything.”
In The Surface of the Lit World, Shane Seely draws on a wide range of sources — from personal memory to biblical narrative — to explore the stories that we tell ourselves about ourselves, the ways in which we make meaning of our lives. Seely delves into the ways in which family and environment shape us. Poems ranging from terse, meditative lyrics to more direct narratives examine the relationship between what lies visible on the lit surface and what lies just beneath.
On the Desire to Levitate is the first collection of poems by Alison Powell. This striking collection includes vivid, unflinching meditations on aging, mythology, poetry, and family. In tight, elegant lines that alternate between homage and elegy, these poems explore known subjects with a rebellious eye: a defeated Hercules and a bitter Eurydice, a sympathetic Lucifer, and generations of adolescent girls as mythical adventurers moving within a beloved but confining Midwest.
Religious Imaginaries explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics.
Gravel and Hawk dwells on the physical and cultural landscapes of the Texarkana border region, an area of stark natural beauty and even starker manifestations of its human habitation: oil derricks and pump jacks, logging trucks, chicken houses, come-to-Jesus billboards, and greasy catfish joints, a patchwork of dying farm towns and ragtag municipalities laced together by county roads, state highways, and that treacherous, rust-hued slurry known as the Red River.
The Complete Works of Robert Browning, Volume XVII
With Variant Readings and Annotations
By Robert Browning
· Edited by Ashby Bland Crowder and Allan C. Dooley
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.
As an Iranian American poet, Roger Sedarat fuses Western and Eastern traditions to reinvent the classical Persian form of the ghazal. For its humor as well as its spirituality, the poems in this collection can perhaps best be described as “Wallace Stevens meets Rumi.” Perhaps most striking is the poet’s use of the ancient ghazal form in the tradition of the classical masters like Hafez and Rumi to politically challenge the Islamic Republic of Iran’s continual crackdown on protesters.