Hiroyoshi Kano is Professor with the Institute or Oriental Culture at The University of Tokyo. A specialist on Indonesia, Professor Kano has published widely in Japanese and Indonesian on topics related to economic developments in modern Indonesia with a particular emphasis on land and agrarian change.
Economic Structures in a Southeast Asian State
The Indonesian economy, like the Indonesian nation state, took shape as part of the colonial transformation of the archipelago by the Dutch in the mid-nineteenth century. The agricultural sector of the economy provided food and labor to the export sector, which was firmly incorporated into the world economy through international trade. This economic pattern survived several shifts and persisted even after Indonesia became independent in the mid-twentieth century.
Lincoln, Congress, and Emancipation
“When Lincoln took office, in March 1861, the national government had no power to touch slavery in the states where it existed. Lincoln understood this, and said as much in his first inaugural address, noting: ‘I have no purpose, directly or indirectly, to interfere with the institution of slavery in the States where it exists.’”
The Crisis of Meaning and the Life-World
Husserl, Heidegger, Arendt, Patočka
Učník examines the existential conflict that formed the focus of Edmund Husserl’s final work: how to reconcile scientific rationality with the meaning of human existence. To investigate this conundrum, she places Husserl in dialogue with three of his most important successors: Martin Heidegger, Hannah Arendt, and Jan Patočka.
Driven toward Madness
The Fugitive Slave Margaret Garner and Tragedy on the Ohio
The story of Margaret Garner—the runaway slave who, when confronted with capture, slit the throat of her toddler daughter rather than have her face a life in slavery—has inspired Toni Morrison’s Beloved, a film based on the novel starring Oprah Winfrey, and an opera.
Drawing on the Victorians
The Palimpsest of Victorian and Neo-Victorian Graphic Texts
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership.
Winter of Artifice
Swallow Press’s reissue of Winter of Artifice, with a new introduction by Laura Frost, presents an important opportunity to consider anew the work of Anaïs Nin who laid the groundwork for later writers, but whom critics frequently dismiss as solipsistic or overblown.